Povijest izlaganja |
Retrospektiv Theo van Doesburg (?), Landesmuseum, Weimar, 16. decembar 1923.–23. januar 1924., as Offene Komposition. (Tempera).
Theo van Doesburg, Retrospective exhibition, Art of this Century Gallery, New York, 29. april 1947.–31. maj 1947., kat. no. 20, as Composition 13, 1916.
Walt Kuhn, Lyonel Feininger and Theo van Doesburg (?), juni 1947.–15. juli 1947., County Museum of Art, Los Angeles, no katalog.
Theo van Doesburg, San Francisco Museum of Modern Art, San Francisco, 29. juli 1947.–24. august 1947., no katalog.
Theo van Doesburg (?), septembar 1947., Henry Art Gallery, Seattle, no katalog.
Theo van Doesburg, Paintings, drawings, photographs and architectural drawings, The Renaissance Society of the University of Chicago, Chicago, 15. oktobar 1947.–8. novembar 1947., kat. no. 1, as Composition 12 (the Cow), 1916.
Theo van Doesburg, Cincinnati Art Museum, Cincinnati, 20. novembar 1947.–12. decembar 1947., no katalog.
Exhibition Van Doesburg, Robinson Hall, Harvard University, Cambridge, Massachusetts, 5. januar 1948.–23. januar 1948., as Composition Thirteen, 1916.
Isms in art since 1800, Rhode Island School of Design, Promisao, 3. februar 1949.–9. mart 1949., p. 69, ill. 55.
Canadian National Exhibition, Canadian National Exhibition, Toronto, 22. august 1952.–6. juni 1952., kat. no. 110, p. 29, as Composition (The Cow), 1916-1917.
De Stijl 1917-1928, Museum of Modern Art, New York, 16. decembar 1952.–15. februar 1953., Virginia Museum of Fine Arts, Richmond, 15. mart 1953.–19. april 1953..
Formal organization in modern painting, Munson-Williams-Proctor Institute, Utica, 1. novembar 1953.–29. novembar 1953., Cat.no. 11, as Composition (The Cow), 1916-17.
Construction and geometry in painting. From Malevitch to ‘tomorrow’, Galerie Chalette, New York, 31. mart 1960.–4. juni 1960., Cincinnati Art Museum, The Contemporary Art Center, Cincinnati, 5. juli 1960.–9. oktobar 1960., The Arts Club of Chicago, Chicago, 11. novembar 1960.–30. decembar 1960., Walter Art Center, Minneapolis, 14. januar 1961.–25. februar 1961., Cat.no. 7, as Composition (The Cow), 1916-1917.
Theo van Doesburg, Van Abbemuseum, Eindhoven, 13. decembar 1968.–26. januar 1969., Gemeentemuseum Den Haag, Hag, 17. februar 1969.–23. mart 1969., kat. no. A13, as 1917.
De Stijl, 1917-1931, Visions of Utopia, Walker Art Center, Minneapolis, 31. januar 1982. - 28. mart 1982., The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, 20. april 1982.–27. juni 1982., kat. no. 7, as Composition (The Cow), 1916-1917.
De Stijl, 1917-1931, Stedelijk Museum, Amsterdam, Kröller-Müller Museum, Otterlo, 6. august 1982.–4. oktobar 1982., Cat.no. 8, as Compositie VIII (Koe), 1917.
Contrasts of form. Geometric abstract art 1910-1980. From the collection of The Museum of Modern Art, including the Riklis Collection of McCrory Corporation, The Museum of Modern Art, New York, 2. oktobar 1985.–7. januar 1986., p. 76, as 1916-1917.
Van Doesburg and the International Avant-Garde, Stedelijk Museum De Lakenhal, Leiden, 20. oktobar 2009.–3. januar 2010., Tate Modern, London, 4. februar 2010.–16. maj 2010., ISBN 978-1-85437-872-9, without kat. no. , p. 248, with color image (plate 16) on p. 90, as Composition VIII (The Cow), oko 1918date QS:P,+1918-00-00T00:00:00Z/9,P1480,Q5727902 .
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